Dianna Cuatto is in her seventeenth season as the Artistic Director of Ballet Theatre of Maryland. She originally choreographed A Midsummer Night's Dream (returning to the stage in October 2018), The Legend of Sleepy Hollow, An American Southwest Carmen, Beauty and the Beast, Tango Dramatico, Scarlet Letter, and Excalibur, among others. Previously, she spent four seasons as the Ballet Mistress with the Richmond Ballet and taught ballet and jazz in their school of dance.
She was also Artistic Director/Choreographer/School Director of the Sangre de Cristo Ballet Theatre in Colorado where many alumni went on to pursue professional careers in such companies as San Francisco Ballet, Colorado Ballet, Hubbard Street, San Diego Ballet, Ballet Nouveau and Richmond Ballet. Prior to that, Ms. Cuatto taught classical ballet at San Francisco Ballet, Ballet West, Sacramento Ballet, New Orleans Ballet Theatre and Oklahoma Ballet. In addition, she has taught at the University of Oklahoma, University of Utah, California State University at Sacramento, and at several high schools for the performing arts.
Nicole Kelsch is originally from Dallas, PA where she trained with Peter and Kristin Degnan at Ballet Northeast. She graduated with a B.A. in Ballet from Point Park University in Pittsburgh, PA. After graduation, she danced professionally with Columbia City Ballet, Atlanta Festival Ballet and Connecticut Ballet.
This is Nicole's eleventh season with Ballet Theatre of Maryland where she has been featured as Clara and the Snow Queen in The Nutcracker, Odette/Odile in Swan Lake, the Firebird in The Firebird, Swanhilda in Coppelia, Juliet in Romeo and Juliet, as a Principal in Antony Tudor's Continuo, the Principal Couple in Italian Syphonette, Hermia in A Midsummer Night's Dream, and Magdalena in An American Southwest Carmen. In 2015, she danced Cinderella, a role she treasures having had the opportunity to perform, at Maryland Hall and the Lyric Opera House in Baltimore.
In addition, Nicole enjoys working as a rehearsal assistant, the BTM School Principal, and as a member of the BTM faculty. This is her eleventh season as a member of the BTM faculty and seventh season as the BTM School Principal. Nicole teaches all levels of ballet and jazz.
Her modern training was directed by Lydia Roberts Coco. After graduating high school, she performed with Nashville Ballet's second company. She participated in children’s community outreaches and led creative movement story-time performances.
Emily joined the Ballet Theatre of Maryland in 2012 as an Apprentice, was promoted to Demi-Soloist in 2013, Soloist in 2016, and Principal in 2017. This is Emily's fifth year teaching for the Ballet Theatre of Maryland.
Karissa studied Modern techniques including Horton with Kim Bears-Bailey (Philadanco) and Graham with Jennifer Binford-Johnson (Martha Graham Dance Company), as well as varied styles of Jazz with Wayne St. David and Donald Lunsford (Philadanco).
Karissa joined Ballet Theatre of Maryland as an Apprentice in 2016 and was promoted to Demi-Soloist in 2017.
Sarah is originally from Portland, Oregon, where she trained at Portland Festival Ballet and the School of Oregon Ballet Theatre. After high school, Sarah studied at the University of North Carolina School of the Arts and Ballet Austin.
Sarah joined the Ballet Theatre of Maryland in 2013 and is currently a demi-soloist with the company.
Upon returning from Cinevox Dance Company, Mark began teaching at the National Theatre Ballet School in Australia. During this time he received his certification for Personal Training from the Australian Institute of Fitness. Since moving to the United States, Mark has guest taught and adjudicated for numerous schools and companies. Highlights include: Atlantic City Ballet company auditions at Ailey Studios in Manhattan, company class at Montgomery Ballet, Montgomery Ballet School, the Montgomery Ballet’s Youth Company auditions, master classes with Galveston Ballet, adjudicating for the Royal Academy of Fine Arts in Houston and most recently the Summer Program with the Ballet Theatre of Maryland.
As well as Pilates, she danced professionally with the Ballet Theatre of Maryland for 13 years. She enjoys working with clients at all levels, especially clients with special needs, “Everything counts. I enjoy supporting and motivating my clients in their own personal Pilates journey and help teach that Pilates can be very functional in people’s everyday life and activities.”
She is a dancer at heart and plans to continue dancing for her own spiritual benefit along with her Pilates practice. Being active and in good health is very important to her as she looks forward to an energetic lifestyle with her son, Jackson.